Topic: ideology (8)

• ConceptAhura Mazdā

  The supreme god of the Achaemenid kings, the "Wise Lord", named at the head of the royal inscriptions as creator of earth, heaven, and man, and as the god who bestows kingship and upholds order against the Lie.

• ConceptArta (Truth, right order)

  The Iranian principle of truth, righteousness, and cosmic and social order, opposed to the Lie (drauga); the moral axis of Achaemenid royal ideology and, later, a central concept of Zoroastrianism.

• PersonDarius I

  The third and greatest of the Achaemenid Great Kings (r. 522–486 BCE), who seized a contested throne, reorganised the empire into its lasting administrative shape, and made the war of Truth against the Lie the public creed of his kingship.

• Survey essayReligion & the Lie: the Achaemenid religious world

  A survey of Achaemenid religion: the worship of Ahura Mazdā and the ideology of Truth against the Lie; the Magi and their rites of fire, oath, and death; the toleration of subject gods; and the vexed question of the kings' relationship to Zoroaster.

• EventThe Accession of Darius (522 BCE)

  The violent, contested seizure of the Achaemenid throne in 522 BCE — the killing of a king said to be an impostor magus, and the founding case of the Achaemenid ideology of the Truth against the Lie; whether Darius told the truth about it is itself disputed.

• SourceThe Behistun Inscription (DB)

  Darius I's monumental cliff-relief and trilingual inscription recounting his seizure and defence of the throne against Gaumāta and a wave of rebels; the single most important primary source for the reign, and the key that deciphered cuneiform.

• ConceptThe Drauga (the Lie)

  The Iranian principle of falsehood and disorder, the cosmic and political adversary of arta (Truth); in Darius's Behistun inscription, the force embodied by every rebel and pretender against the rightful king.

• ArtworkThe Winged Symbol (the figure in the winged ring)

  The winged ring, often enclosing a robed male figure, that hovers above the king at Behistun, Persepolis and the royal tombs; the Achaemenid sign of divine sanction, whose precise identity — Ahura Mazdā, the royal glory, or a general emblem of god-given kingship — is genuinely unresolved.